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	<title>Carte Blanche &#187; poetry</title>
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	<description>16</description>
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		<title>Baja Rain</title>
		<link>http://archive2.carte-blanche.org/baja-rain/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=baja-rain</link>
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		<pubDate>Wed, 17 Nov 2010 20:38:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<category><![CDATA[poetry]]></category>

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		<description><![CDATA[crack of thunder unleashed the deluge<br />
voided with such ferocity<br />
boomeranged from paved over <br />
pooled into rivers of latte-coloured torrents; <a href="http://archive2.carte-blanche.org/baja-rain/" rel="nofollow" class="more">[Read more...]</a>]]></description>
			<content:encoded><![CDATA[<p id="firstPara">crack of thunder unleashed the deluge<br />
voided with such ferocity<br />
boomeranged from paved over <br />
pooled into rivers of latte-coloured torrents;<br />
palm tree trunks swayed like matchsticks<br />
their crowns shook rock-n-roll style<br />
beatle haircuts, bangs in need of a good trim<br />
tempo reverberated on corrugated metal roofs<br />
clatter reminiscent of Caribbean steel band.</p>
<p>morning after, sweaty, clammy queue at la llantera<br />
perforated tire after flattened tire heaved onto apparatus<br />
nails, spikes, screws washed into streets<br />
extracted with pliers<br />
plugged, like bottle of wine corked<br />
pump harnessed, air inflated<br />
hissing sound antithetically conjures up breath sucked out.</p>
<p id="lastPara">
<p>felled mangos litter gardens, bruised skin expels sweet<br />
reek of carcasses in shallow, sandy graves<br />
sea breeze gust disperses, captures fish smell<br />
shrieking gulls, redolent of vultures, bottle pickers scrounge<br />
shredded algae hurled onto beaten up beach shore<br />
clouds, like ship masts, vaporize over horizon<br />
over the edge, as though earth was flat<br />
Baja sun rotates into magnetic field<br />
dragon spewing fire, undulating steam<br />
- incubator for malaria, dengue fever, death.</p>
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		<item>
		<title>Sordino</title>
		<link>http://archive2.carte-blanche.org/sordino-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sordino-2</link>
		<comments>http://archive2.carte-blanche.org/sordino-2/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 20:38:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[8]]></category>
		<category><![CDATA[poetry]]></category>

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		<description><![CDATA[<em>The diving bell spider refuses to live on land.<br />
Instead, it spins a silk bubble to breath underwater.</em></p>

The window is a time-lapse lens gutting <br /> people in the street and there is nothing in this <br /> room but pain curetting round the curtains and a nurse <a href="http://archive2.carte-blanche.org/sordino-2/" rel="nofollow" class="more">[Read more...]</a>]]></description>
			<content:encoded><![CDATA[<p id="firstPara"><em>The diving bell spider refuses to live on land.<br />
Instead, it spins a silk bubble to breath underwater.</em></p>
<p>The window is a time-lapse lens gutting <br /> people in the street and there is nothing in this <br /> room but pain curetting round the curtains and a nurse <br /> every few hours. No news or names for things because she <br /> is dying the slow way.</p>
<p>Pain is a diving bell and every night she could drown <br /> if I wanted. But the body <br /> in the other bed with the signoidectomy <br /> just shat the floor and the night <br /> sounds like a sordino violin.<br /> There are no words here because we can&#8217;t speak <br /> the dead speech of health and words <br /> are only words if you use them.</p>
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		<item>
		<title>The Poem is Over</title>
		<link>http://archive2.carte-blanche.org/the-poem-is-over/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-poem-is-over</link>
		<comments>http://archive2.carte-blanche.org/the-poem-is-over/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 20:37:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[8]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">http://wp.carte-blanche.org/?p=399</guid>
		<description><![CDATA[The poem is over, <br /> its day come and gone.  <br /> This announcement is <br /> to comfort the reader, <br /> the dying reader. <a href="http://archive2.carte-blanche.org/the-poem-is-over/" rel="nofollow" class="more">[Read more...]</a>]]></description>
			<content:encoded><![CDATA[<p>The poem is over, <br /> its day come and gone.  <br /> This announcement is <br /> to comfort the reader, <br /> the dying reader.  <br /> The poem is over <br /> and its place in the scheme <br /> of things cemented over, <br /> its absence no longer <br /> noticeable. Forgive the <br /> impersonal nature of this <br /> disclosure. It&#8217;s <br /> important that we reach as <br /> many people as possible.  <br /> Keep your chins up <br /> in these latter post-poem <br /> days. Look forward <br /> to the next thing. The next <br /> thing will come in a <br /> blinding flash. We will <br /> love the next thing <br /> more than we ever loved <br /> the poem. This is just.  <br /> This is the way we carry on, <br /> when we must carry on.</p>
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		<item>
		<title>Post-Donald</title>
		<link>http://archive2.carte-blanche.org/post-donald/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=post-donald</link>
		<comments>http://archive2.carte-blanche.org/post-donald/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 20:30:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[8]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">http://wp.carte-blanche.org/?p=398</guid>
		<description><![CDATA[After we broke up, Donald met a reporter<br />
he married in Madrid, had three kids. For years<br />
I'd get Christmas cards, "Hope you had a great year<br />
and were in many plays, Donald." I did some plays,<br />
won no Tony's, had a good face. Remember <a href="http://archive2.carte-blanche.org/post-donald/" rel="nofollow" class="more">[Read more...]</a>]]></description>
			<content:encoded><![CDATA[<p>After we broke up, Donald met a reporter<br />
he married in Madrid, had three kids. For years<br />
I&#8217;d get Christmas cards, &#8220;Hope you had a great year<br />
and were in many plays, Donald.&#8221; I did some plays,<br />
won no Tony&#8217;s, had a good face. Remember</p>
<p>the Tulli gum girl in the late 70s? That&#8217;s me!<br />
&#8220;A blast of hoocheekoo/ in every chew.&#8221;<br />
That gig lasted almost five years. I almost married<br />
Troy. Daddy, wheelchair-bound in the Friendly Waters<br />
Retirement Community since mom died, freaked.</p>
<p>&#8220;You won&#8217;t marry that black guy. I&#8217;ll die first.&#8221;<br />
I might&#8217;ve married him, but marriage<br />
felt like a show that closed after a dozen performances.<br />
The empty theatre, wickets shut. Sexually,<br />
I like women better,</p>
<p>maybe. Some women. Men often rush,<br />
like I&#8217;m a station they&#8217;re channel surfing through<br />
on the way to see the Giants snuff the Packers.<br />
Not Donald. Considerate, he probably<br />
wearied of my good girl schtick, didn&#8217;t lay me</p>
<p>for our first five years. Heavy petting, yes. Acting<br />
took me everywhere from L.A. to London,<br />
kept us apart. Now I&#8217;m in, get this,<br />
Ft. Wayne, Indiana, left overpriced New York.<br />
I do local plays, play old grans. This week</p>
<p>I&#8217;m performing Nanny in <em>The Effect of Gamma Rays</em>.<br />
Each night I drive back to my ranch house,<br />
sing along with old songs, the Fifth Dimension<br />
my favorite groupâ€”the dawning<br />
of the Age of Aquarius. Lights out.</p>
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		<title>Dear Reader</title>
		<link>http://archive2.carte-blanche.org/dear-reader/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dear-reader</link>
		<comments>http://archive2.carte-blanche.org/dear-reader/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 20:12:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[8]]></category>
		<category><![CDATA[poetry]]></category>

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		<description><![CDATA[The mink shouldered out of its cage, 
paced four meters square.
I admired the indexed spine. The guard hairs 
slick. The mouth
suspect. <a href="http://archive2.carte-blanche.org/dear-reader/" rel="nofollow" class="more">[Read more...]</a>]]></description>
			<content:encoded><![CDATA[<p>The mink shouldered out of its cage, <br /> paced four meters square. <br /> I admired the indexed spine. The guard hairs <br /> slick. The mouth <br /> suspect.</p>
<p>The black eye trained against the water pump, the white magnoliaâ€”<br /> what could I bring to the dooryard? <br /> He wanted nothing of torn bread. <br /> Nothing to drink.</p>
<p>One night the mink climbed my throat <br /> and out of bone and grasping <br /> a demon was born <br /> to haunt the city of steeples.</p>
<p>It blessed the pedestals worn <br /> by thumbprints. Leather Bibles. Rivers bruising <br /> in their beds. Its jaw hung like a petal <br /> darkening by the hour.</p>
<p>Dear reader. What I started to tell you <br /> had something to do with hunger <br /> but the mink was demon <br /> turned bodiless terror.</p>
<p>It lead me closer to the firs <br /> where the dead wait for an answer. <br /> All night the mink appeared <br /> and disappeared. <br /> The demon wept.</p>
<p>Bodies lined up like blonde guitars <br /> without their necks. Faces I loved thorned <br /> in the trees. A tanager shone <br /> like a pitcher of blood.</p>
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		<title>Noiembre</title>
		<link>http://archive2.carte-blanche.org/noiembre/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=noiembre</link>
		<comments>http://archive2.carte-blanche.org/noiembre/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 20:04:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[8]]></category>
		<category><![CDATA[poetry]]></category>

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		<description><![CDATA[The sense of a doom-laden <em>plaidoyer</em> is inevitable

The Vulcans

<em>Star Trek</em> good-and-evil policy making

Bush's pig-in-shit smirk

"Middle East politics are like those of the ancient worldâ€”Greek or Roman could understand them better than an American" <a href="http://archive2.carte-blanche.org/noiembre/" rel="nofollow" class="more">[Read more...]</a>]]></description>
			<content:encoded><![CDATA[<p>The sense of a doom-laden <em>plaidoyer</em> is inevitable</p>
<p>The Vulcans</p>
<p><em>Star Trek</em> good-and-evil policy making</p>
<p>Bush&#8217;s pig-in-shit smirk</p>
<p>&#8220;Middle East politics are like those of the ancient worldâ€”Greek or Roman could understand them better than an American&#8221;</p>
<p>The ancient dryness of cedar-and-bone Arabic furniture, as if with glaucous in the traceries</p>
<p>Medieval Islam versus Oil Patch Christian Texas</p>
<p>&#8220;If the twentieth century has shown us anything, it&#8217;s that history, carelessly handled or consciously distorted, can be one of the most efficient weapons of mass destruction known to man&#8221;</p>
<p>War structured as conscious human sacrifice</p>
<p>Only the good die young, etc.</p>
<p>Martin Rees, the Astronomer Royal, has bet $1,000 that bioterror or bioerror will kill a million people by 2020</p>
<p><em>Listeria, salmonella, campylobacter, E. coli</em> O157</p>
<p>As many people have been killed during the last decade in the Great Lakes region of Africa as have been killed in all of Africa since independence</p>
<p>African wild dogs, <em>Lycaon pictus</em>, can bolt down a third of their body weight in minutes</p>
<p>Dozens of Catahoula hog dog pups being kennel-raised on a farm north of Philadelphia &#8220;for herding cows,&#8221; according to the fatso-gangsta guy who comes out to block the lane</p>
<p>Years of the pit bull and plausible denial</p>
<p>&#8220;Life is not what one lived, but what one remembers and how one remembers it in order to recount it,&#8221; Graham Greene</p>
<p><em>Hoja de servicios</em>: platoon guide in basic, sharpshooter qualification, tank training, nearly a special court martial for slamming a canteen at a sergeant, private first class a few weeks before rotation from a line infantry outfit in Korea, special services (an entertainment unit) in Japan and Okinawa</p>
<p>When Max Brod sought advice about burning Kafka&#8217;s work after Kafka&#8217;s death as Kafka had instructed him to do, a friend said, &#8220;I tell you what, Max, burn your own stuff instead!&#8221;</p>
<p>North south disorientation as a northerner in the Southern Hemisphere</p>
<p>In the Western Cape it took a month at least to feel at ease with where the sun should be when glancing upward coming outside</p>
<p>The same in Swaziland although instead of a Southern Ocean horizon, the view of the Ezulwini Valley, looking east-by-northeast, had a precise logic to it from its sharp ridges</p>
<p>Nearer the equator in Tanzania, the orientation was so tropical that the south-became-north problem didn&#8217;t matter</p>
<p>In the South Pacific, knowing south from north never quite becomes automatic</p>
<p>A constant problem for Northerners while in New Zealand and Australia</p>
<p>There&#8217;s a lateral disorientation problem in the Arctic with the meridians crowding close</p>
<p>Also with the Date Line in the Bering Strait forcing the eastern hemisphere to western hemisphere designation, the 180Â°E to 180Â°W, in an instant</p>
<p>In that locale, the short passage from Russia to Alaska, absorbs three time zones, to further complicate sense of exact place</p>
<p>In the fog through rough seas</p>
<p>At first in life one quiet place is enough, a set of roads and streets, one watershed, one identity, one complex of localisms</p>
<p>That become our standard against which all things unlocal are measured</p>
<p>&#8220;Childhood is the credit balance of the writer&#8221;</p>
<p>We treat it circumspectly like bad poetry</p>
<p>Bad poetry written with savvy, sensitivity and commitment</p>
<p>CÃ©sar Franck&#8217;s Sonata in A Major for Piano and Violin with its sublime third movement, <em>Recitativoâ€”Fantasia moderato</em>, was written late, when he was 64</p>
<p>&#8220;With age art and life grow together,&#8221; Georges Braque</p>
<p>Near his end, in 1949 Orwell lingered in a Cotswold sanatorium in Cranham, Gloucester</p>
<p>Arshile Gorky arrived in Watertown, Massachusetts in the early 1920s escaping the Armenian genocide</p>
<p>Gorky means bitter in Russian</p>
<p>Why an Armenian chose a Russian name is part of the mystery of the man</p>
<p>Bartok as romantic, his dramatic Second String Quartet, Op. 17, 1915â€“17</p>
<p>Bartok began his first American tour in late 1927. He gave twenty-six concerts playing his freshly composed Piano Concerto No. 1 and his Rhapsody, Op. 1</p>
<p>Where we live offers the salient coordinates</p>
<p>The irrigation ditch coming off the Sierra de Mijas passed the house</p>
<p>Just below was the era, the thrashing floor, with an ancient olive tree beside it</p>
<p>The era on it&#8217;s little flat, the lower vineyard on the next terrace up, then the garden terrace, then the house</p>
<p>And above the house, at the top of the retaining wall behind a solar water heater was the big terrace in front of the garage and studio inside the gate</p>
<p>Behind and above that, more terraces, all the way up the Sierra to Mijas and the last path before the bare rocks</p>
<p>With the ancient Moorish irrigation channel running along beside</p>
<p>Through all time people have lived alongside running water</p>
<p>Just as squatters do now under freeways and bridges</p>
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		<title>Windows</title>
		<link>http://archive2.carte-blanche.org/windows/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=windows</link>
		<comments>http://archive2.carte-blanche.org/windows/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 20:02:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[8]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">http://wp.carte-blanche.org/?p=395</guid>
		<description><![CDATA[There are men in my house today
They unload glass panes and aluminum
frames, ladders, saws, crowbars and
lime-coloured insulation, some  <a href="http://archive2.carte-blanche.org/windows/" rel="nofollow" class="more">[Read more...]</a>]]></description>
			<content:encoded><![CDATA[<p>There are men in my house today <br /> They unload glass panes and aluminum <br /> frames, ladders, saws, crowbars and <br /> lime-coloured insulation, some <br /> noxious spray that makes new windows</p>
<p>glide <br /> with ease <br /> The men, though, <br /> they do not glide <br /> but stomp and push</p>
<p>force and grunt <br /> old windows <br /> out <br /> push new ones <br /> in</p>
<p>surround them with pristine <br /> frames, <br /> white and glistening <br /> Someone recently told me <br /> women use 10,000 words a day <br /> Men use only half</p>
<p>These men use <br /> no words <br /> take their noise, <br /> and leave <br /> a sparkling clarity of view <br /> echo of the unsaid</p>
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		<title>Nomad</title>
		<link>http://archive2.carte-blanche.org/nomad/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=nomad</link>
		<comments>http://archive2.carte-blanche.org/nomad/#comments</comments>
		<pubDate>Wed, 17 Nov 2010 19:55:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[8]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">http://wp.carte-blanche.org/?p=394</guid>
		<description><![CDATA[I am the daughter who left
Old parents planting seeds of
<em> Stay</em> 
I partitioned their country
And placed a border between us <a href="http://archive2.carte-blanche.org/nomad/" rel="nofollow" class="more">[Read more...]</a>]]></description>
			<content:encoded><![CDATA[<p id="firstPara">I am the daughter who left <br /> Old parents planting seeds of<br /> <em> Stay</em> <br /> I partitioned their country  <br /> And placed a border between us <br /> Like Hindus turning on Muslims turning on Hindus <br /> We hope that our distance is not circular</p>
<p>I am the daughter who left <br /> Lonely father and quiet mother <br /> Raised me like flowers in a neighbourâ€™s garden <br /> Plucked by the hands of a child <br /> Handing them a <br /> <em>Bouquet</em> <br /> Of sadness</p>
<p>I am the daughter who left <br /> Pacing father and busied mother <br /> Staring out the window on the front door of yesterday <br /> Watching as leaves fall  <br /> They look for my footprints in the grass <br /> <em>Parched</em> <br /> They sit in their tubewell</p>
<p id="lastPara">I am the daughter who left <br /> Echoes of my laughter <br /> Like a house haunted by my absence <br /> Father sighs in the sun <br /> All he sees is  <br /> <em>Shade</em> <br /> My smile like dewdrops vanished  <br /> In the afternoon sun</p>
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